Pat kiely and meaghan rath dating

It was the dead of winter, the sun sets at pm and we were losing light. We just let the camera roll and I ran around like a football coach. I just got more gigs as an actor, whereas I was directing my friends doing comedy in our shi**y apartments.Which steps can directors take to build positive working relationships with their cast and crew during the making of a film? Are there any authors or specific books that have been influential in your development as a filmmaker? What advice would you give to aspiring actors and directors? Find smart, loving and motivated people that want to be part of your projects in some capacity.I think that fantasy and reality are elemental parts of being human.

pat kiely and meaghan rath dating-84

Pat kiely and meaghan rath dating

Can you briefly walk us through your creative process for the production from the early stages (initial ideas, writing, etc.) all the way to the theatrical release?

I wanted to write a story based on personal experiences and those of my friends.

Three Night Stand runs from January 25th – January 29th at The Rio Theatre.

Writer/Director Pat Kiely and star Meaghan Rath will be in attendance for a special screening with Q&A on Saturday, January 25 @ pm.

I think that’s why people are calling the film genre-bending or anti-date in nature.

What themes and ideas do you want the audience to think about from watching the film?

Was it intentional to set ) when I was in Los Angeles and the idea was just to write about a place that I knew in and out, which is Montreal and Quebec and the Laurentians.

Just write a small movie that would be particular to my hometown. When I wrote it, I was trying to write something small: We have eight characters, if we can’t get funding for this movie, then we can convince our friends to go up to a lodge and shoot it. We managed to pull in

What themes and ideas do you want the audience to think about from watching the film?Was it intentional to set ) when I was in Los Angeles and the idea was just to write about a place that I knew in and out, which is Montreal and Quebec and the Laurentians.Just write a small movie that would be particular to my hometown. When I wrote it, I was trying to write something small: We have eight characters, if we can’t get funding for this movie, then we can convince our friends to go up to a lodge and shoot it. We managed to pull in $1.25 million, and that was the most money I’ve ever had to make anything, so in that sense it was luxurious for me, but it was still tight. In the grand scheme of things, 1.25 is a very low-budget film, but for me it was very enjoyable to have that amount to play with. How much of a difference was there between that and working collaboratively with someone else?And that goes for Carl, who’s obsessed with a fantasy of what his life would be like with his ex-girlfriend, Robyn.So I guess wanted to explore this preoccupation with needing more to be happy, and how relationships survive in the face of it.She’s the new owner, and if you’ve ever been privy to a secret that you wish you can spill, you’ll know exactly what the first half of feels like.

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What themes and ideas do you want the audience to think about from watching the film?

Was it intentional to set ) when I was in Los Angeles and the idea was just to write about a place that I knew in and out, which is Montreal and Quebec and the Laurentians.

Just write a small movie that would be particular to my hometown. When I wrote it, I was trying to write something small: We have eight characters, if we can’t get funding for this movie, then we can convince our friends to go up to a lodge and shoot it. We managed to pull in $1.25 million, and that was the most money I’ve ever had to make anything, so in that sense it was luxurious for me, but it was still tight. In the grand scheme of things, 1.25 is a very low-budget film, but for me it was very enjoyable to have that amount to play with. How much of a difference was there between that and working collaboratively with someone else?

And that goes for Carl, who’s obsessed with a fantasy of what his life would be like with his ex-girlfriend, Robyn.

So I guess wanted to explore this preoccupation with needing more to be happy, and how relationships survive in the face of it.

She’s the new owner, and if you’ve ever been privy to a secret that you wish you can spill, you’ll know exactly what the first half of feels like.

||

What themes and ideas do you want the audience to think about from watching the film?

Was it intentional to set ) when I was in Los Angeles and the idea was just to write about a place that I knew in and out, which is Montreal and Quebec and the Laurentians.

Just write a small movie that would be particular to my hometown. When I wrote it, I was trying to write something small: We have eight characters, if we can’t get funding for this movie, then we can convince our friends to go up to a lodge and shoot it. We managed to pull in $1.25 million, and that was the most money I’ve ever had to make anything, so in that sense it was luxurious for me, but it was still tight. In the grand scheme of things, 1.25 is a very low-budget film, but for me it was very enjoyable to have that amount to play with. How much of a difference was there between that and working collaboratively with someone else?

And that goes for Carl, who’s obsessed with a fantasy of what his life would be like with his ex-girlfriend, Robyn.

.25 million, and that was the most money I’ve ever had to make anything, so in that sense it was luxurious for me, but it was still tight. In the grand scheme of things, 1.25 is a very low-budget film, but for me it was very enjoyable to have that amount to play with. How much of a difference was there between that and working collaboratively with someone else?

And that goes for Carl, who’s obsessed with a fantasy of what his life would be like with his ex-girlfriend, Robyn.

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